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Iconographer abbess olympia
Iconographer abbess olympia




iconographer abbess olympia
  1. Iconographer abbess olympia full#
  2. Iconographer abbess olympia series#

Their influence, but ignore discussions of single works or characters figuring in them. Similarly in the language arts, I include studies of specific literary figures and The compilation ignores exhibitionĬatalogues and collections of images where they are not accompanied by synthetic Those dealing with interpretations of specific figures. Have excluded publications devoted to the dating and identification of specific pieces, or I have thus incorporated many titlesĭealing with art history, with single artists and works concerning important projects, but I

Iconographer abbess olympia series#

One arbitrary series of choices must relate to where exactly theīoundaries lie between history and other disciplines. The listĬontains studies, not published sources, except where they have been enhanced by critical Scan the entire range of output over almost two centuries.Įven “comprehensive” bibliographies must make certain choices. And its mass and ease of updating will enable researchers to International students and scholars can be introduced to this long and central epoch of

iconographer abbess olympia

It is through these languages that a new generation of Of the field in the two principal languages of the Western world. It is designed to allow even a non-specialist to have a comprehensive view The very existence of this didactic tool will allow scholars and students greater ease ofĬonsultation. Notion that the Early Modern period of Italian history has been “forgotten” by historians. The result of the bibliography deployed below is to refute, once and for all, the It is not myĬoncern here to pronounce judgments on the utility of specific items on the list, for largeįields of interest like this one permit a wide array of intellectual enterprises, from diverse QuiteĪpart from the huge, and often excellent production of Italian scholars, the period hasĪttracted the talent and energy of thousands of authors working outside Italy. Over the last 150 years, roughly the time that scholars have worked from archives. This bibliography aims to be comprehensive that is, it aims to record the entireĮnglish and French production on Italian history pertaining to the period (1550-1800) So here below you will find most of the titles extant, save those I have not yet

Iconographer abbess olympia full#

The full arc of disciplines dealing with Italy are too numerous for anyone to read, let alone Sense to include only the titles I felt would be the most fruitful, for the readings covering University of Toronto enabled me to enlarge the list considerably. Periodic trips to the Robarts Library of the The most diligent of them could readįrench, for it remains a widely-taught international language. Students, almost none of whom could read Italian. Period to undergraduates in the mid-1980s, I had to compile a reading list for my The fundamentals and the problems of the era. Nevertheless there was nothing resembling a coherent textbook to introduce students to Scholarship, stimulated by the appearance of innovative journals like “Quaderni Storici”. This prejudice was already out of date with respect to Italian-language The Renaissance in the middle of the sixteenth century, and that it had been deservedlyįorgotten. When I first began to study early modern Italy in the 1970s, it was aĬommonplace that the country offered little of interest to historians after the full flower of Table of Contents - Renaissance Society of AmericaĮARLY MODERN ITALY: A COMPREHENSIVE BIBLIOGRAPHY






Iconographer abbess olympia